M. Matteo Treleani

Media Studies; Semiotics; XR; Digital Humanities
 

Circulation of images; Audiovisual archives; Immersive creation
 

Matteo Treleani is a semiotician and media analyst, Associate Professor in Media Studies at the Université Côte d'Azur and "Habilité à Diriger des Recherches". He holds a PhD in history and semiotics of texts and images from Paris Diderot University (2012) which was funded by the Institut national de l'audiovisuel (CIFRE agreement) and supervised by Bruno Bachimont and Marc Vernet. He graduated in Semiotics from the University of Bologna in 2007. His researches are mainly focused on the use and digitisation of audiovisual heritage. He was a lecturer at Paris Est, Sorbonne Nouvelle, Luxembourg University and Sciences Po. He was associate professor at the University of Lille and visting professor at the University of Turin (2022), Università Cattolica of Milan (2023) and Université de Montréal (2025).

Codirector of the eXtended Reality Research and Creative Center XR2C2 https://xr2c2.univ-cotedazur.fr/
Head of the Master Program in Médias et Humanités Numériques
Head of the Program TV Content Creation and Innovation

Last Publications
Peer reviewed articles
2024, Treleani, M. “Images as Archival Material. Understanding the Circulation of Media Content about Europe (The Project Crossing Borders Archives)”, View, Journal of European Television History and Culture, vol. 14 issue 26 https://doi.org/10.18146/view.356
2023, Treleani, M. Shen, S Menin, A. Winckler, M. "Circulation et répétition des images de stock. La représentation visuelle des migrants dans les JT européens (ANR CROBORA" in Les cahiers du numérique, Ouerfelli, T. Chebba, A. (eds.) n.19 https://doi.org/10.3166/lcn.2023.002 
2023, Treleani, M. Compagno D. "A Premediation of Brexit. Genesis, Circulation and Naturalization of a Visual Emblem". IJDST. International Journal of Design, Science and Technology, vol.25 n.2 http://ijdst.europia.org/index.php/ijdst/article/view/98
2023, Shen, S. Treleani, M. Compagno, D. Winckler, M. "From Stock Shots to Ghost Data. Tracking Audiovisual Archives about the European Union" VIEW Journal of European Television History and Culture, issue 23. DOI: 10.18146/view.292
2021, Treleani, M. « The Degree Zero of Digital Interfaces. A Semiotics of Audiovisual Archives On-Line” Semiotica, issue 241, De Gruyter. https://doi.org/10.1515/sem-2019-0043
Direction of journal numbers
2021, Dondero, M-G. Fickers, A. Treleani M. Tore, G-M. eds. « Semiotics of the archive», Signata, n.12 : https://doi.org/10.4000/signata.3275
2020, Jost, F. Treleani, M. (sous la direction de) Dossier « Le spectateur numérique », Télévision n.11, Paris, CNRS Editions : https://doi.org/10.3917/telev.011.0009
2020, Treleani, M. Zucconi, F. (eds.) Remediating Distances, Special Issue, IMG Journal, n.3: https://doi.org/10.6092/issn.2724-2463/v2-n3-2020
2019, Compagno, D. Treleani, M. eds. « Meaningful Data/Donnes signifiantes » Semiotica, Special Issue, n.230, Journal of the International Association of Semiotic Studies, Berlin, de Gruyter: https://doi.org/10.1515/sem-2018-0141
Books
2017, Treleani, M. Qu'est-ce que le patrimoine numérique. coll. UDPN, Le bord de l'eau.
2014, Treleani, M. Mémoires audiovisuelles, coll. parcours numériques, Presses de l'Université de Montréal, Préface de Bruno Bachimont, https://doi.org/10.4000/books.pum.2102